By Margarete Suppes
Thus, my undertaking appeared transparent: listening toward Dylan’s albums of the Sixties and checking either biographies in addition to similar literature which will locate connections among the 2 artist’s worlds. the trouble of studying Dylan’s songs or arranging the proof one is aware approximately his lifestyles made the problem much more precious. even supposing the assumption of discovering a connection among either personalities in his track appeared ridiculously far-fetched throughout the first albums, i eventually hit pay airborne dirt and dust on "Blonde on Blonde". songs of the album characteristic ‘Edian’ features and rumors were helping this speculation for years.
As a consequence, this paintings goals on revealing those myths and discovering a potential fact among the artist Bob Dylan, specific songs of his album Blonde on Blonde, and Edie Sedgwick. firstly, the songs in query (“Leopard dermis capsule field Hat” and “Just Like a Woman”) will likely be analyzed nearer. After contemplating its musical and lyrical worth objectively, this paintings makes an attempt to depart room for a slightly target interpretation. subsequent, the most a part of this paintings goes to painting the time of the song’s emergence, Bob Dylan’s lifestyles again then, and in how some distance Edie Sedgwick’s existence has intertwined with the artist’s global. With the aid of time witnesses, i'm going to eventually attempt to separate rumors from proof and provides an summary of why i'm of the opinion that either songs were encouraged by way of Warhol’s “Superstar”.
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Andy Warhol’s “Superstar” Edie Segdwick. The True Heroine of Bob Dylan’s "Blonde on Blonde"? by Margarete Suppes